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Martin Gredler
A Praise to Metaphysical Treasures
From 10 January to 3 February 2001 the Galerie 5020 in Salzburg presents the exhibition of artist's books from the Triennial. Curator of the exhibition Kestutis Vasiliunas and Martin Gredler.
The Second International Artist's Book Triennial Vilnius'00 will transfer
from its old premises of Vilnius Art Gallery to the Gallery 5020 in
Salzburg.
More than 140 artists from all over the world participated in the Triennial
organized by Kestutis Vasiliunas and named under the title "Apocalypse".
As a guest professor of lithography of Vilnius Art Academy, I was destined
to get acquainted and appreciate the artist and the organizer of the
Triennial as well as persuade him to show several parts of the exhibition in
Salzburg.
It is an extreme pleasure to know that the exhibition will be shown in the
Art Gallery 5020, the conception and structure of which will impart
supplementary level of significance to the exhibition of Artist's Books.
Obviously, the medium of the book takes the central part in the development
of the European culture; to begin with structural conception and, finally,
bearing in mind the technique of producing and processing, the book becomes
the symbol of the structure of knowledge and education. As reserve of
information expressed by letterpress and images, it is, on the other hand,
considered an object that was destined to become the entrance to the
perception of the world, the organizer of the visual and the perceptible,
the key element and metaphor of transmission.
The Artist's Book aspires to dwell in frames of the common book as well as
broadens them; Artist's Books, as works of art, possess their own rules, no
more dependent on the bonds of narration or illustration and are freed from
the linearity of folding and turning page, though sometimes remind it. As
work of art, the Artist's Book surpasses itself and admits itself as a
motive for itself - a book as a motive (stimulus) for a book.
This impression is emphasized by the Artist's Books that ignore the common
three-dimensional form and project a new space model. There is a striking
contrast between the virtual choice of the desired form and traditional
canons of the book.
The book as a stimulus' Though if the first impression is displayed on the
background for immanent concept of the book mentioned above, the stimulus
becomes of great significance.
The Artist's Book manifests itself as a metaphysical treasure, fascinating
as an independent medium, when the sensuality of the Artist's Book admits
its abstract and hints at the sense canons, attracts the common book to
occupy the private as well as public space.
Taking it into consideration, the Art Gallery 5020, as a gallery of mass
media programmes, involves one of the oldest media in this exhibition, thus
opening the brackets of both form and content into the perceptibility of
form and content as well as sensuality of the old and the new.
 

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